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The selection includes the greatest names in cartography, such as James Cook, Gerard Mercator, Matthew Fontaine Maury and Phyllis Pearsall, as well as maps from indigenous cultures around the world, rarely seen maps from lesser known cartographers, and maps of outstanding beauty and surprising individuality from the current generation of map makers.Īdvisory panel: Lauren Beck, Daniel Crouch, Catherine Dunlop, Daniel Huffman, Kimberly Kowal, P.J. Selected by an international panel of curators, academics and collectors, the maps reflect the many reasons people make maps, such as to find their way, to assert ownership, to record human activity, to establish control, to encourage settlement, to plan military campaigns or to show political power.
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The book's unique arrangement, with the maps organized in complimentary or contrasting pairs, reveals how the history of our attempts to make flat representations of the world has been full of beauty, ingenuity and innovation. Map, Exploring the World brings together more than 300 fascinating maps from the birth of cartography to cutting-edge digital maps of the twenty-fist century.
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They’re wonderfully contrasting images, yet should we really regard this brain map as a genuine work of cartography, rather than biological or medical diagram?ģ00 stunning maps from all periods and from all around the world, exploring and revealing what maps tell us about history and ourselves. The 19th century English physician John Snow’s famous map, Deaths from Cholera in Soho, which indicated that the disease was water-borne, is on the same double-page spread as the Flowminder Foundation’s 2014 map, Human Mobility and the Spread of Ebola in West Africa, demonstrating how mobile-phone data can help inform today's public health crises while Paul Butler’s 2010 map, Visualizing Facebook Friends, abuts the Human Connectome Project’s 2014 Mapping the Brain, a visual representation of connections within the human brain. “It’s the contrasting, non-linear way this book is structured that attracted me to this project the way different maps lie opposite one another highlight their various similarities and contrasts.” “There have been lots of books listing the top 100 maps in the world, and I wasn’t too interested in doing another of those,” he says. “The Wind Map takes something that we are so familiar with, and expresses it with such elegance and simplicity, in just black and white, with the thickness of lines expressing the wind strength.”ĭeaths from Cholera in Soho, 1885, by John Snow. From Hessler’s point of view, it is a masterpiece.
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One of his favourite inclusions in our new book, Fernanda Bertini Viégas and Marten Wattenberg’s 2012 online Wind Map, takes just such a data set, from the US National Weather Service, to show, in real time, the gales, breezes and gusts flowing over the continental United States. “So the really interesting maps aren’t coming from developments in global positioning technology, but through the creative manipulation of huge data sets.” “For all practical purposes, the entire globe has been mapped,” Hessler explains. Courtesy of the artist, neugerriemschneider, Berlin and Tanya Bonakdar Gallery, New York / photo: Tanya Bonakdar Gallery. Neon, sintra box, transformers, controllers, sequencer, timers, 122 x 254 x 15.2 cm / 48 x 100 x 6 in., private collection.